How did you come up with the title?
Lurk began as a short novella titled “The Pictures Under Sunny Hill,” about a depressed college student who finds a box of Polaroids buried under his house that change to let him spy on his friends. I realized as I was writing that the story worked better as a novel, so I used the old name for Part One, and started calling my early drafts of the full-length story Lurk. I liked it, so it stuck. At one point an agent tried to get me to change the name to The Lurker… I didn’t end up working with her.
Is there a message in your novel that you want readers to grasp?
My fiction tends to be about fringe characters, because they interest me. Lurk is a study of madness told from the point of view of an unreliable (and sometimes unlikable) narrator; you are seeing his psychological downward spiral through his own eyes. I knew when I was writing certain scenes that they would make many readers uncomfortable. That was deliberate. This book is an examination of a type of mentality that I see becoming exceedingly common in the age of internet and social media oversaturation, which can lead to us having unhealthy ideas about the lives of others. My primary goal in this story is to scare and entertain, but I also wanted to say something about one of the more dangerous pitfalls of modern life.
What books have most influenced your life?
My top three are The Shining, Blood Meridian, and Book of the New Sun.